1.0Peter Simonhttps://p3c7.de/en/adminhttps://p3c7.de/en/author/admin/rich600338<blockquote class="wp-embedded-content" data-secret="rYvnt8Mr3Z"><a href="https://p3c7.de/en/meander-tapes-st-gertrud-session/">Meander Tapes – St.Gertrud Session</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://p3c7.de/en/meander-tapes-st-gertrud-session/embed/#?secret=rYvnt8Mr3Z" width="600" height="338" title="“Meander Tapes – St.Gertrud Session” — Peter Simon" data-secret="rYvnt8Mr3Z" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://p3c7.de/wp-includes/js/wp-embed.min.js </script> In the church of St. Gertrud, built by Gottfried Böhm and awarded the Cologne Architecture Prize in 1967, we took 2 days to explore the interior acoustically.During this time, we created over 8 hours of multi-channel audio recordings.For the recordings of the acoustic-performative events, we distributed 8 microphones at different locations in the room. We kept changing the locations of the microphones to explore the different factors and shapes of the architecture. This led to an intense engagement with the space and the sound within it. We were able to design choreographies around the microphones and also incorporate the acoustic elements coming from outside (the beat of the nearby S-Bahn line, for example) into our actions.https://p3c7.de/wp-content/uploads/2020/08/IMG_3009-1024x683.jpg